You’ve already seen his work. His overly futuristic visions of sleek, mutated, hybrid tomorrows. Sometimes flirting with airy, synchronized elegance; sometimes saturated with nihilistic desolation and despair. His propensity for toned down colour palettes and cold textures. His liking for daring, David Fincher-ish, CG-enhanced, perfectly controlled camera movements. His eternal discretion.
Joseph Kosinski belongs to those few undoubtedly talented advertising pawns whose predictable – and imminent - blossoming as a long-feature director will inevitably draw many curious to investigate his previous works, and raise them as precious trophies.
Which is exactly what we did a few clusters of pixels below.
